Released : 2021
Version : 4.4
Developer : Adobe Systems
Architecture : x86 (64-bit)
Interface language : Russian + English
Tablet : Patcher by TNT
System requirements : macOS 10.14 and later, 64-bit processor
Description : Character Animator allows you to animate two-dimensional characters created in Photoshop and Illustrator. Capture your movements and record your voice with your webcam and microphone. Character Animator tracks your facial expressions and movements in real time, and your smile is transferred to the character.
- Create characters from scratch in Illustrator or Photoshop, or use the built-in templates in Character Animator.
- Turn 2D graphics into animated characters using your own movements and facial expressions captured on a webcam.
- Control the movements of the puppets by adding and removing gestures, such as turning the head or automatically blinking.
- Export interactive animation streams for broadcast.
More:
Main features of Adobe Character Animator:
Creating a multilayer graphic object for a character. Using Photoshop or Illustrator, create a layered document representing the structural elements of the character (head, eyes, mouth, arms, legs, etc.). If you’ve already created a character, skip to the next section to learn how to import a graphic into Character Animator.
Create a puppet. In Character Animator, choose File > Import to select the artwork file. The selected graphic is imported, and its layers are used to create a puppet representation that appears in the Project panel. The structure of a graphic in a Photoshop or Illustrator document determines the structure of a puppet in Character Animator. Some puppet features can be switched between different options or substitutions (for example, different mouth expressions for a character can be separate layers in the document). You can create a custom puppet rig structure, including substitutions, in Character Animator. The original graphic object does not need to be modified.
Place a puppet in the scene. Select the puppet in the Project panel, click the Add to New Scene button to place it in the new scene. The scene automatically opens in the Scene panel, and the newly added puppet is selected in the Timeline panel. The scene contains puppets. When a scene is opened in the Scene panel, you can set up the initial placement of the puppets on the stage and then animate them over time.
Puppet control.Look at your character in the Scene panel, move your face a comfortable distance away from the webcam (but so that it appears large enough in the circle in the Camera and Mic panel), assume a neutral expression, then click the Set Rest Pose button. Red tracking dots will appear on the face. If the puppet had layers with specific names (such as Head, Left Eye, Mouth, etc.), it can be manipulated to show different facial expressions in front of the webcam. If the puppet feet had specially named guides, they can be dragged with the mouse. The puppet has behaviors, functions that allow you to control its movement, deformation, appearance, and other attributes. Some behaviors use external controls, such as webcam or audio or mouse input.
Setting behavior options.If you want to prevent the character’s head from scaling or rotating, decrease the Head Position Intensity and Head Scaling Intensity settings for face behavior in the Properties panel. Try moving the character closer to the center of the scene by increasing the value of the X Position parameter for the transformation behavior. Hold down the Shift key while changing the value in scroll mode to increase the change step. Most behaviors have options that allow you to customize the results. The original puppet (its main definition) is presented in the Project panel, and its instances are displayed on the stage. The parameter values for the source puppet are used by default for all instances, but they can be overridden on a per instance basis.
Creating a multilayer graphic object for a character. Using Photoshop or Illustrator, create a layered document representing the structural elements of the character (head, eyes, mouth, arms, legs, etc.). If you’ve already created a character, skip to the next section to learn how to import a graphic into Character Animator.
Create a puppet. In Character Animator, choose File > Import to select the artwork file. The selected graphic is imported, and its layers are used to create a puppet representation that appears in the Project panel. The structure of a graphic in a Photoshop or Illustrator document determines the structure of a puppet in Character Animator. Some puppet features can be switched between different options or substitutions (for example, different mouth expressions for a character can be separate layers in the document). You can create a custom puppet rig structure, including substitutions, in Character Animator. The original graphic object does not need to be modified.
Place a puppet in the scene. Select the puppet in the Project panel, click the Add to New Scene button to place it in the new scene. The scene automatically opens in the Scene panel, and the newly added puppet is selected in the Timeline panel. The scene contains puppets. When a scene is opened in the Scene panel, you can set up the initial placement of the puppets on the stage and then animate them over time.
Puppet control.Look at your character in the Scene panel, move your face a comfortable distance away from the webcam (but so that it appears large enough in the circle in the Camera and Mic panel), assume a neutral expression, then click the Set Rest Pose button. Red tracking dots will appear on the face. If the puppet had layers with specific names (such as Head, Left Eye, Mouth, etc.), it can be manipulated to show different facial expressions in front of the webcam. If the puppet feet had specially named guides, they can be dragged with the mouse. The puppet has behaviors, functions that allow you to control its movement, deformation, appearance, and other attributes. Some behaviors use external controls, such as webcam or audio or mouse input.
Setting behavior options.If you want to prevent the character’s head from scaling or rotating, decrease the Head Position Intensity and Head Scaling Intensity settings for face behavior in the Properties panel. Try moving the character closer to the center of the scene by increasing the value of the X Position parameter for the transformation behavior. Hold down the Shift key while changing the value in scroll mode to increase the change step. Most behaviors have options that allow you to customize the results. The original puppet (its main definition) is presented in the Project panel, and its instances are displayed on the stage. The parameter values for the source puppet are used by default for all instances, but they can be overridden on a per instance basis.
Action recording.
[1.] In the Properties panel, click the Activate for Recording button (red circle) next to the Mouse Tracking and Keyboard Triggers behaviors to deactivate them.
[2.] Leave the Face and Lip Sync behaviors active to capture their changes when recording.
[3.] Click the red Record button at the bottom of the Scene panel and start your action (move your head, look around, blink, speak, do other actions).
[4.] Click the Stop button to stop recording.
[2.] Leave the Face and Lip Sync behaviors active to capture their changes when recording.
[3.] Click the red Record button at the bottom of the Scene panel and start your action (move your head, look around, blink, speak, do other actions).
[4.] Click the Stop button to stop recording.
Active behaviors are marked with a red circle and red text.The track of the selected puppet is also enabled for recording (the background of the puppet name on the track header on the left side of the Timeline panel turns red), indicating that the active behaviors for the selected puppet will be recorded. By selecting a puppet and thus activating it at the track level, you can record its actions on stage. Actions are recorded as a take for the Face and Lip Sync behaviors. By default, the puppet track is collapsed, but you can tell when an action is recorded in time by the light bar along the bottom edge of the puppet track element bar. If you click the triangle to expand the puppet track, you can view the recorded takes for the active behaviors. Since the microphone input was also turned on during recording,
Check out the recorded material!
[1.] Press the Play button or Space bar to view the recording.
[2.] When finished, press the Stop button (or space bar) and then return to the beginning.
During playback, you can view the recorded takes. The current time indicator moves along the timeline during playback, but it cannot be moved manually. After the second recording, the take panel appears for the Mouse Tracking element (if the puppet track is expanded), but the additional audio track element does not appear. If you play the scene timeline now, a combination of two entries will be displayed.
[1.] Press the Play button or Space bar to view the recording.
[2.] When finished, press the Stop button (or space bar) and then return to the beginning.
During playback, you can view the recorded takes. The current time indicator moves along the timeline during playback, but it cannot be moved manually. After the second recording, the take panel appears for the Mouse Tracking element (if the puppet track is expanded), but the additional audio track element does not appear. If you play the scene timeline now, a combination of two entries will be displayed.
Export a recording of a puppet action.
[1.] Select the scene in the Project panel, then adjust the scene duration to 10 seconds (or the time two takes were recorded) in the Properties panel.
[2.] Select File > Export > Scene, and then provide a name and location on disk for this action.
The duration of a scene, selected as a span in the Timeline panel, determines the number of frames exported. Recorded takes are exported as a set of PNG (with alpha channel for compositions) and WAV file for the recorded audio sequence. The duration of the exported content is determined by the scene’s Duration setting in the Properties panel.
Import recordings into After Effects. In After Effects, choose File > Scripts.
[1.] Choose File > Scripts, then choose New Composition from Recording Character Animator.jsx.
[2.] Select the first PNG file in the folder of the exported entry.
[3.] Review the composition to evaluate the results.
If the puppet needs to be modified, it can be edited in Character Animator, with the corresponding artwork being modified in Photoshop or Illustrator. The changes will be reflected in After Effects.
[1.] Select the scene in the Project panel, then adjust the scene duration to 10 seconds (or the time two takes were recorded) in the Properties panel.
[2.] Select File > Export > Scene, and then provide a name and location on disk for this action.
The duration of a scene, selected as a span in the Timeline panel, determines the number of frames exported. Recorded takes are exported as a set of PNG (with alpha channel for compositions) and WAV file for the recorded audio sequence. The duration of the exported content is determined by the scene’s Duration setting in the Properties panel.
Import recordings into After Effects. In After Effects, choose File > Scripts.
[1.] Choose File > Scripts, then choose New Composition from Recording Character Animator.jsx.
[2.] Select the first PNG file in the folder of the exported entry.
[3.] Review the composition to evaluate the results.
If the puppet needs to be modified, it can be edited in Character Animator, with the corresponding artwork being modified in Photoshop or Illustrator. The changes will be reflected in After Effects.
Installation Procedure :
Mount the downloaded image and go to the “Extra” folder.
Run the installer (Install) and follow the standard installation procedure.
To activate, use Adobe Zii Patcher (next to the “Extra” folder).
