Publisher : Halflight Sampling
Website : Halflight Sampling
Format : KONTAKT
Quality : 24 bit 44.1 kHz stereo
Description : This massive collection contains 18 individual sound design libraries from Halflight Sampling.
It is a scoop of music.
Most packs are powered by 13GB of unlocked WAV files.
Some instruments are deep and emotional, while others are strange and atonal. It is ideal for cinematic work, especially science fiction, psychological thrillers, emotional dramas, I am planning on singing bowls and singing bows. I hope you will look forward to that!
Kontakt 5.6.8 is required to open the Kontakt patches.
Pack 1-18
PACK 1 – DEATH BY DESIGN
Featuring 12 insane Kontakt instrument patches. If you’re trying to find out what to do, then you can’t use it.
Meant to be gritty, dirty, and organic. Not for the faint of heart. 1.14 Gigabytes uncompressed. All samples are included as well (in their respective Kontakt sample folders).
PACK 2 – DEATH RATTLE
Dark, low, menacing braam like sounds. inspired by both Hans Zimmer and Igor Stravinsky. Containing 65.1 MB of WAV samples, uncompressed. The Attic, Dark, Distorted, and Misc.
Layered synthesis was also used (a combination of Chromaphone 2 and Cybermath beta).
PACK 3 – DEEP CONJURING
It is true that it is something that is deeply hidden and forgotten. The samples used are strange, unique and imperfect.
In total there are 66 instrument presets, which are derived from a set of 655 samples. All samples are royalty free.
For the kontakt patches, I used the Photosynthesis Engine by Jeremiah Pena.
Please note: The Full Version of Contact (5.6.8). However, there is no need for files. All of the samples total 996MB uncompressed.
PACK 4 – EXPERIMENTAL PERCUSSION BEDS
Collection of percussion loops, mapped to Kontakt. They were sculpted from a modular synthesis engine (not the extra instruments, however).
Hey, Hey, Hey, Hey, Hey? Yours are also included.
The extra instruments included were very experimental and are not synced. They are not cinematic and ambient.
Each loop is synced to 120BPM. However, many of them are syncopated, so may seem out of tempo naturally. The soundtrack to the shining – that is the reascurring pitch oscillation However, it’s a bit different. These are the percussion loops that are not necessarily the foreground of a piece. They were meant to add brush strokes to a piece.
PACK 5 – GUITAR ELEMENTS
A large collection of unique and useful guitar patches. Including 40 Kontakt patches and hundreds of samples. Inspired by jazz, funk, prog rock and more. I’ve even found it in the Vertigo and Taxi Driver. Their folders are “Vertigo Climb” and “Taxi Driving Music” respectively.
Star song patches. There are at least 13 of the most common chords used for songwriting. If you hold the key, but not all.
You can add your own virtual spirit to your desire. Last of all, Enjoy!
PACK 6 – IMPROMTU PIANO LOOPS
I am providing them royalty free. I played several loops, all of which were thought up on the spot. Try it out on the 1st, 2nd or 3rd try, generally. I wanted to capture a spontaneous and unique quality. So the ideas themselves were all impromptu. This is generally how I write anyway. I didn’t need to know how to create these performances.
There are 17 instrument presets based on 9 Multi sampled piano and music box phrases (189 samples). I sampled the phrases across at least 12 halftones. Therefore, you can play the loops in various keys.
There is also a folder of non instrument related samples. These are either additional piano loops, or heavily processed samples based on those loops. The sound of my heart goes in. There are a total of 97 of these additional samples. They are generally more syncopated (like the processed samples) and the bizarre machine like sounds.
PACK 7 – JANKY DRINK MUG
This is a little bit more than a world. The “flutter harmonics” sound was a pleasure to discover. There is absolutely no instrument for earth sounds. It makes it possible to make it down.
PACK 8 – PARADOX LOST
A culmination of 10 years of experimentation and exploration. Using live contact set of kontakt patches. Perfect for cinema, drone, trance and more. There are many patches especially useful in horror and science fiction. You will not hear patterns like these anywhere.
Please keep in mind that they were the main goals. There are many of the samples that were taken from old recordings. There is a certain, unmatched character about it. There are 47 total patches, with 47 total samples. Samples vary from 0:03 to 2:13 in length. Each sample was mapped to Kontakt using Jeremiah Pena’s brilliant Photosynthesis Engine. It has been noted that it has been deleted. Therefore, if you play a “C” note, the instrument will be a “C”. Make it easier for you to compose your sounds! However, it’s not a problem.
PACK 9 – QUANTUM DEATH TOY
A single toy was sampled on ultra low batteries. The result is creepy and unnerving. There is no idea that you can write for yourself. With very low batteries.
PACK 10 – THE APOCALYPSE FROM A TO Z
A collection of 30 strange, dark and post apocalyptic drones, hums and pads. If you need a unique and gritty edge in your productions. Feel free to tweak hearts. I used Jeremiah Pena’s Photosynthesis engine for creating presets, based around 26 custom created samples (30 seconds each). There are 26 main instruments (presets) and 4 extra.
PACK 11 – THE FORESHADOWING
There is a great deal to do in this collection. From the skyline of the Rosa, it was inspired by the guitars, the futures, the bowed electric bass guitar. There are 224 samples coming in at about 1.4GB of samples uncompressed.
There were no sound patterns or computer generated sounds. There are a total of 27 Kontakt Instrument Patches, and 9 Multis. There are many scenes that can be used to make it.
PACK 12 – THE HOLE IN THE WALL
A wall vent was sampled with a condenser mic and a violin bow. A unique set of textures were created.
PACK 13 – THE LOST PLAYGROUND
This is perfect for horror productions and more. A creepy, spooky collection of kontakt instruments, including their haunting instruments. It was a great deal to make Dub instruments.
The instrument “Pad of Tears” was derived from the cries of a child.
The glockenspiel and the percussion The guitar was played with a knife on it.
PACK 14 – TWICE BAKED
A collection of unique and bizarre drone, pulse, soundscape, and effect samples. Their moods range from nostalgic, dark, intense, to strange and moody.
This is mainly a pattern for a patch, for example, an ame pad pad pad pad pad pad pad pad pad pad pad pad pad pad pad pad trigger trigger in the case of “Textures, Pulses and Effects, Oh My!”).
PACK 15 – LOVELY MITTY
For all things rare. Right out of the box, this thing is an enigma. There is no on / off switch; you can only press the white keys (however, it’s tuned so awfully that black keys); there is no velocity sensitivity (and it’s so loud !!!). All I know it was made in Taiwan. I can’t find it anywhere! I’m not sure if I’ve really called “Lovely Mitty,” but that’s what I’ve seen.
It was a lot of work. Once tuned, it doesn’t really like a tune style. I used 4 total velocity layers. I still included the original tuning (“natural tuning”) for your fun and pleasure. He was right at the threshold of making a noise.
PACK 16 – NUCLEAR WINTER
A few days to go after the day. This is the vision of the new sample library. No, it’s not pretty, it’s not. However, we can live it through sound.
Sounds of digital synths (for example, musicians, musicians and musicians). Various noise effects were also used (including vinyl and tape effects). Most patches have 3 velocity layers.
PACK 17 – OUT OF NIGHTMARES
Divergent Audio Group instrument. However, they were included in the full release. This will not be available anywhere else. They range from nightmarish, strange, dark, to nostalgic and peaceful. All samples are 60 seconds in length.
I built 33 samples of 25 samples. Since they are 60 seconds in length, I created a second line for each sample. Therefore, it will be essentially 3 Round Robins (not multi sampled, however). The sound in this mode.
I created 4 unique start points and loops (15 second segments). This option creates a 4 round robins loop. WAV files are not included.
PACK 18 – BOWED SINGING BOWL
It was an animal musician singing a bow and a tibetan singing bowl. This was not a planned library. I thought it was interesting. The result is breathtaking and at times mesmerizing.
Featuring 12 insane Kontakt instrument patches. If you’re trying to find out what to do, then you can’t use it.
Meant to be gritty, dirty, and organic. Not for the faint of heart. 1.14 Gigabytes uncompressed. All samples are included as well (in their respective Kontakt sample folders).
PACK 2 – DEATH RATTLE
Dark, low, menacing braam like sounds. inspired by both Hans Zimmer and Igor Stravinsky. Containing 65.1 MB of WAV samples, uncompressed. The Attic, Dark, Distorted, and Misc.
Layered synthesis was also used (a combination of Chromaphone 2 and Cybermath beta).
PACK 3 – DEEP CONJURING
It is true that it is something that is deeply hidden and forgotten. The samples used are strange, unique and imperfect.
In total there are 66 instrument presets, which are derived from a set of 655 samples. All samples are royalty free.
For the kontakt patches, I used the Photosynthesis Engine by Jeremiah Pena.
Please note: The Full Version of Contact (5.6.8). However, there is no need for files. All of the samples total 996MB uncompressed.
PACK 4 – EXPERIMENTAL PERCUSSION BEDS
Collection of percussion loops, mapped to Kontakt. They were sculpted from a modular synthesis engine (not the extra instruments, however).
Hey, Hey, Hey, Hey, Hey? Yours are also included.
The extra instruments included were very experimental and are not synced. They are not cinematic and ambient.
Each loop is synced to 120BPM. However, many of them are syncopated, so may seem out of tempo naturally. The soundtrack to the shining – that is the reascurring pitch oscillation However, it’s a bit different. These are the percussion loops that are not necessarily the foreground of a piece. They were meant to add brush strokes to a piece.
PACK 5 – GUITAR ELEMENTS
A large collection of unique and useful guitar patches. Including 40 Kontakt patches and hundreds of samples. Inspired by jazz, funk, prog rock and more. I’ve even found it in the Vertigo and Taxi Driver. Their folders are “Vertigo Climb” and “Taxi Driving Music” respectively.
Star song patches. There are at least 13 of the most common chords used for songwriting. If you hold the key, but not all.
You can add your own virtual spirit to your desire. Last of all, Enjoy!
PACK 6 – IMPROMTU PIANO LOOPS
I am providing them royalty free. I played several loops, all of which were thought up on the spot. Try it out on the 1st, 2nd or 3rd try, generally. I wanted to capture a spontaneous and unique quality. So the ideas themselves were all impromptu. This is generally how I write anyway. I didn’t need to know how to create these performances.
There are 17 instrument presets based on 9 Multi sampled piano and music box phrases (189 samples). I sampled the phrases across at least 12 halftones. Therefore, you can play the loops in various keys.
There is also a folder of non instrument related samples. These are either additional piano loops, or heavily processed samples based on those loops. The sound of my heart goes in. There are a total of 97 of these additional samples. They are generally more syncopated (like the processed samples) and the bizarre machine like sounds.
PACK 7 – JANKY DRINK MUG
This is a little bit more than a world. The “flutter harmonics” sound was a pleasure to discover. There is absolutely no instrument for earth sounds. It makes it possible to make it down.
PACK 8 – PARADOX LOST
A culmination of 10 years of experimentation and exploration. Using live contact set of kontakt patches. Perfect for cinema, drone, trance and more. There are many patches especially useful in horror and science fiction. You will not hear patterns like these anywhere.
Please keep in mind that they were the main goals. There are many of the samples that were taken from old recordings. There is a certain, unmatched character about it. There are 47 total patches, with 47 total samples. Samples vary from 0:03 to 2:13 in length. Each sample was mapped to Kontakt using Jeremiah Pena’s brilliant Photosynthesis Engine. It has been noted that it has been deleted. Therefore, if you play a “C” note, the instrument will be a “C”. Make it easier for you to compose your sounds! However, it’s not a problem.
PACK 9 – QUANTUM DEATH TOY
A single toy was sampled on ultra low batteries. The result is creepy and unnerving. There is no idea that you can write for yourself. With very low batteries.
PACK 10 – THE APOCALYPSE FROM A TO Z
A collection of 30 strange, dark and post apocalyptic drones, hums and pads. If you need a unique and gritty edge in your productions. Feel free to tweak hearts. I used Jeremiah Pena’s Photosynthesis engine for creating presets, based around 26 custom created samples (30 seconds each). There are 26 main instruments (presets) and 4 extra.
PACK 11 – THE FORESHADOWING
There is a great deal to do in this collection. From the skyline of the Rosa, it was inspired by the guitars, the futures, the bowed electric bass guitar. There are 224 samples coming in at about 1.4GB of samples uncompressed.
There were no sound patterns or computer generated sounds. There are a total of 27 Kontakt Instrument Patches, and 9 Multis. There are many scenes that can be used to make it.
PACK 12 – THE HOLE IN THE WALL
A wall vent was sampled with a condenser mic and a violin bow. A unique set of textures were created.
PACK 13 – THE LOST PLAYGROUND
This is perfect for horror productions and more. A creepy, spooky collection of kontakt instruments, including their haunting instruments. It was a great deal to make Dub instruments.
The instrument “Pad of Tears” was derived from the cries of a child.
The glockenspiel and the percussion The guitar was played with a knife on it.
PACK 14 – TWICE BAKED
A collection of unique and bizarre drone, pulse, soundscape, and effect samples. Their moods range from nostalgic, dark, intense, to strange and moody.
This is mainly a pattern for a patch, for example, an ame pad pad pad pad pad pad pad pad pad pad pad pad pad pad pad pad trigger trigger in the case of “Textures, Pulses and Effects, Oh My!”).
PACK 15 – LOVELY MITTY
For all things rare. Right out of the box, this thing is an enigma. There is no on / off switch; you can only press the white keys (however, it’s tuned so awfully that black keys); there is no velocity sensitivity (and it’s so loud !!!). All I know it was made in Taiwan. I can’t find it anywhere! I’m not sure if I’ve really called “Lovely Mitty,” but that’s what I’ve seen.
It was a lot of work. Once tuned, it doesn’t really like a tune style. I used 4 total velocity layers. I still included the original tuning (“natural tuning”) for your fun and pleasure. He was right at the threshold of making a noise.
PACK 16 – NUCLEAR WINTER
A few days to go after the day. This is the vision of the new sample library. No, it’s not pretty, it’s not. However, we can live it through sound.
Sounds of digital synths (for example, musicians, musicians and musicians). Various noise effects were also used (including vinyl and tape effects). Most patches have 3 velocity layers.
PACK 17 – OUT OF NIGHTMARES
Divergent Audio Group instrument. However, they were included in the full release. This will not be available anywhere else. They range from nightmarish, strange, dark, to nostalgic and peaceful. All samples are 60 seconds in length.
I built 33 samples of 25 samples. Since they are 60 seconds in length, I created a second line for each sample. Therefore, it will be essentially 3 Round Robins (not multi sampled, however). The sound in this mode.
I created 4 unique start points and loops (15 second segments). This option creates a 4 round robins loop. WAV files are not included.
PACK 18 – BOWED SINGING BOWL
It was an animal musician singing a bow and a tibetan singing bowl. This was not a planned library. I thought it was interesting. The result is breathtaking and at times mesmerizing.
