Spitfire Audio – BML Mural Symphonic Strings Part IV (KONTAKT)

By | January 4, 2018

 

If there was a single line of products that could be summed up the foundation of Spitfire’s approach to sampling it would be Mural Symphonic Strings. Recorded at the same studio that has been played host to billions of dollars worth of blockbuster scores, with the same players playing the same instruments. Deep sampled with an affluence. Unlike any other sample library. As a project of nearly 4 years we released it as a series of modular volumes. Power users out there appreciated the in-depth microphones and mixes, everyday users are pleased to be able to consume Mural in smaller more affordable iterations (especially with our Mural Ensembles degustation volume!).

For reasons we’ll give in a minute, we’ve decided to take Mural 1, 2, 3, Ensembles & Evolutions off our shelves in their current form. To celebrate their award winning success and to give all of them the opportunity to enjoy the peace of mind. first and last time.

After almost 4 years of hard graft we are proud of what we consider to be the definitive selection of Symphonic Strings Samples. Having this broad selection of tools. We also found that without the unifying of the main body of work, we were unable to take advantage of the articulation between the different volumes for greater functionality and ease of use. We also feel if you want to go blockbuster you have to go bold, if you want cinematic. So we have decided to take every articulation, dynamic layer, round robin, legato interval and rationalize it into the ultimate encyclopaedic compendium of Symphonic strings. Spitfire Symphonic Strings is the ‘Daddy’.

We will initially release Spitfire Symphonic Strings as a ‘core’ product with everyone’s favorite and most diverse microphone positions C (lose), T (ree), A (mbient). Followed soon after by two expansion packs, # 1 Additional Mics & Mixes and # 2 ‘Evolutions’.

What is NOT in Spitfire Symphonic Strings that is in Mural?
Frankly the tons of mic positions and stereo mixes. We’ve listened to many of you and it’s just what you want. So Spitfire Symphonic Strings contains three different sounding mics (Close, Tree, Ambient) which allow Symphonic Strings to be used on a variety of uses from expansive tight modern action music to sweeping romanticism.
More importantly, the structural file complications of Mural are no longer in Spitfire Symphonic Strings, so maintaining and upgrading it will become a thing of pleasure not of pain!

 

Update & Fixed :

1.5 (August 2015)
UPDATE: Mural Vol1 and 2 moved to the same codebase as Sable 1.5
ADDED: Extra dynamics recorded for Col Legno
ADDED: Extra dynamics recorded for Harmonics
ADDED: Initial release of Mural volume 3
FIXED: Various UACC2 issues
FIXED: Lots of issues to do with blue key ranges and FX keys

1.2 (October 2014)
UPDATE: Mural Vol1 and 2 moved to the same codebase
FIXED: Overlap on _Individual patches_ file names between volumes
FIXED: Violin 1 Trill (Minor 2nd) has incorrect UACC
FIXED: Violins 1 and 2, Violas, Celli and Basses may crash when editing groups in Long patches
FIXED: Violin 2 release triggers cause popping under certain situations
FIXED: Violin 2 Col Legno are mapped an octave too high
FIXED: Violin 2 Longs do not include Leader mics
FIXED: Violin 2 TM patch issues
FIXED: Viola Fingered Legato has issues with a couple of notes during Minor 7th, Major 7th and Octave intervals
FIXED: Violas, Celli and Basses Combination Legato types all labeled as Fingered
FIXED: Celli Core Palette – Release trigger for C2 p
FIXED: CB (vol1 + 2) and V2 (vol2) TM2 patches do not function correctly.
FIXED: CB TM patch issues

1.1 (May 2014)
ADDED: Shared Keyswitches for easy integration with volume 2
ADDED: UACC Keyswitches for easy integration with volume 2
ADDED: Capability Matrix to show you what an articulation is capable of at a glance
UPDATED: New palette layout to match Sable and allow for volume 2 integration
UPDATED: Light palette for quickly getting up and running
UPDATED: Legato (Fingered) programming optimized
UPDATED: Moved to the latest Sandbox / BML Code base
FIXED: Presets do not work correctly
FIXED: Various UACC2 issues
FIXED: V2 longs and legato nv looping issues (A3, G3 and more)
FIXED: Round robin for Pizzicato can not be safely modified.
FIXED: Mural 1 Violins 1: Noise on legato patch on G # 4 and A4
FIXED: Sustain pedal does not work

1.02 (March 2014)
ADDED: UACC KS functionality added to switch articulations via velocity
UPDATE: Performance improvements under the hood.
HOTFIX: UACC misapping corrected
HOTFIX: Release pedal now working (except for legato; just not supported)
HOTFIX: Changing MIDI channel reinitialises CC sliders so that release samples do not disappear
HOTFIX: Loading a patch on the MIDI channel ‘Omni’ correctly initialises CC sliders

1.01 (2 February 2014)
HOTFIX: Ostinatum release issue
HOTFIX: Round robin change issue
HOTFIX: Celli attack issue
HOTFIX: Artic switcher issue
HOTFIX: Various overlay issues

 

Important information:

Save the Samples stereo mixes folder from the distribution to the Spitfire Audio folder – BML Mural Symphonic Strings
Everything will have to be exactly the same as in the screenshot below:

 

Publisher : Spitfire Audio
Format : KONTAKT 5.5.1 +
Quality : 24 bit 48 kHz stereo

 

 

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