Manufacturer: Prime Loops
Format: Ableton Live Pack
Quality: 24 bit / 44.1 kHz
Get ready to see people go crazy with drive on the dance floor, using this collection from Prime Loops in your tracks.
Content :
Dirty Electro Bass Loops contains the following from Prime Loops:
100 Dirty Electro Bass Loops
All loops (loops) at a tempo of 125-130 BPM.
Get ready to see the dance floor grinding! Prime Loops is extremely proud to reveal this heavy stash of explosive electro bass ammunition, engineered to wind waists into knots!
The “Dirty Electro Bass Loops” sample pack is the highly anticipated sequel to our best selling “Dirty Electro Synth Loops” sound suite, and the perfect compliment to the series. Take your productions deeper with these precision-made heavyweight recordings, ideal for filling out the lower frequencies of chart destroyers.
Inside, you will be exposed to an extensive collection of 100 expertly processed bass loops, designed using our in-studio analogue synths and the highest quality digital processors. All of these filthy twisted basslines are fully optimized to club standards, so you can concentrate on building a track that’s guaranteed to destroy the competition.
As you’ve come to expect from Prime Loops, this pack comes ready-made for your sequencer or sampler, formatted as .WAV, ACID, Akai MPC, Apple Loops, Ableton, Fruity Loops and more. Every one of these fuzzed-up riffs are clearly categorized by key, with tempos from 125 – 130 BPM, giving you easy access to all the sounds you need to create a devastating electro arrangement… even on the fly!
As with all Prime Loops releases “Dirty Electro Bass Loops” is completely royalty free, so you don’t have to worry about sample clearance or licensing fees. You can mix these bass loops into your original productions, sell your tracks and keep 100% of your royalties.
Producers of electro, breaks, tech, rave and hardcore will keep coming back for more of these instantly memorable and completely intoxicating vibrations. So, if you go mental for saw waves, phasers, overdriven saturators, overheating lasers and audiences with their hands permanently in the air, then you’ve found the right sounds. Grab a slice of infectious deep end for your productions, and keep it hard, low and seriously dirty.
