Sonus Paradisi – Litomysl V.2, Vladimir Grygar 2001 (HAUPTWERK)

By | November 5, 2024

 

Publisher : Sonus Paradisi
Website : https://www.sonusparadisi.cz/en/organs/discontinued-organ-models/litomysl-organ-model.html
Format : HAUPTWERK
Quality : 16 bit 48 kHz stereo


Description : Litomysl organ model

Litomysl organ
Litomysl is a beautiful town in Eastern Bohemia, practically on the border with Moravia. It is widely known as the birthplace of one of the most outstanding Czech composers: Bedřich Smetana (1824-1884). Although he was celebrated as a pianist and composer of opera and orchestral music, he also left several smaller works for organ (6 preludes, 1 fugue, 1 chorale).
If we talk about more distant history, it is famous for its Renaissance castle, where the original Baroque theatre has been preserved and still functions. Every year, a summer festival called “Smetanová Litomyšl” takes place there.

Organ in the Church of the Holy Cross
Little is known about the organs in the Church of the Holy Cross in those early times. There was a late Baroque instrument by František Pavel Horák (1723-1822), built in 1780. It had two manuals and a pedal with a total of 22 registers.

Later it was completely rebuilt in 1902 by Josef Kobrle (1851-1919). The old organ, in its pure Baroque style, seemed out of step with the fashion of the early 20th century. Kobrle’s instrument bore the hallmarks of the “romantic” or symphonic organ that was in demand at the time. It also had 2 manuals with 22 registers, like the previous instrument, but the brilliant aliquots and high mixtures were replaced by registers with lower sounds in a variety of colors: flute, strings, reeds.

A hundred years later, the way of assessing the quality of an organ has changed again. We now admire the brilliance of the baroque sound, we like the logic of the WerkPrinzip hierarchy, but at the same time we do not want to lose the variety of romantic registers of color. Therefore, many organ manufacturers tend to prefer large organs with a large variety of registers to meet the needs of all musical styles. Well, the purity of style is lost, but the advantages of the “universal” organ seem to prevail.

With this in mind, Vladimir Grygar (whose company is well known in many countries around the world for its craftsmanship) built a completely new organ in the Church of the Holy Cross. The work was completed only in 2001. The new instrument has 4 manuals and 51 registers (not counting the couplings and other assistants).

Additional information :
I. Hauptwerk
Bourdon 16′
Principal 8′
KonzertFlöte 8′
Gamba 8′
Gemshorn 8′
Oktave 4′
TraversFlöte 4′
Quinte 2 2/3′
Oktave 2′
GrossMixtur 2′
KleinMixtur 1 1/3′
Enge Trompete 8′

II. Positive
II. Copula maior 8′
Salicional 8′
Prestant 4′
Copula minor 4′
Oktave 2′
Quinte 1 1/3′
Sesquialtera I-III
Acuta IV
HolzKrummhorn 8′

III. Schwellwerk
Contra Salicional 16′
Geigenprinczipal 8′
Lieblich Gedackt 8′
Aeoline 8′
Voix Céleste 8′
Principal 4′
Gemshorn 4′
Nazard 2 2/3′
Waldflöte 2′
Terz 1 3/5′
Scarf V 1′
Vox Humana 8′
Oboe 8′

IV. Bombardment
Trompeta imperial 32′ (bass octave 16′)
Trompeta magna 16′
Trompeta real 8′
Trompeta Chamarrant 4′
Great Cornett VI 8′ [collapse]
Pedalworks
Subbass Clausus 16′
Contra Viola 16′
Salizetbass 16′
Quintbass Apertus 10 2/3′ = Bass Acoustique 32′
Oktave 8′
Rohrgedackt 8′
Cello 8′
Superoktav 4′
Bourdonant 4′
Mixtur V 2 2/3
Posaune 16′
Bombarde 8′



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